Solid Deni 2 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: logos, headlines, posters, game ui, packaging, futuristic, industrial, techno, arcade, mechanical, impact, sci‑fi feel, industrial motif, logoability, geometric system, chamfered, faceted, octagonal, geometric, modular.
A geometric, faceted display design built from straight strokes and chamfered corners, creating an octagonal, cut-metal silhouette throughout. Many letters collapse traditional counters into solid interior masses, with shapes defined by notches and angled cut-ins rather than open bowls. Terminals are crisp and planar, diagonals are steep and consistent, and curves are largely replaced by clipped corners, giving the set a modular, stencil-adjacent feel. Spacing and sidebearings vary noticeably by glyph, producing an intentionally irregular rhythm that emphasizes the constructed, logo-like character.
Best suited to short, high-impact settings such as logos, titles, posters, album/cover art, and branded lockups where silhouette matters more than fine detail. It can work well for game UI headings, sci‑fi or industrial-themed graphics, and packaging that benefits from a hard-edged, engineered look. Use larger sizes and generous tracking to help clarity when setting longer lines.
The overall tone is futuristic and industrial, with strong arcade and sci‑fi signage associations. Its dense, closed-in forms feel armored and mechanical, conveying impact and a slightly cryptic, coded quality. The sharp chamfers and angular rhythm suggest engineered hardware, digital interfaces, and retro-tech aesthetics.
The design appears intended to translate a cut, machined geometry into a typographic system, prioritizing bold silhouettes and a cohesive faceted motif over conventional counterforms. By collapsing interiors and leaning on chamfers and notches, it aims to feel like a constructed object—part signage, part emblem—optimized for striking display impact.
Uppercase forms read as emblematic blocks with distinctive cutaways, while lowercase maintains the same faceted logic with simplified, compact shapes. Numerals follow the same octagonal language and hold up well as standalone marks. The design’s heavy interior mass and reduced apertures can lower legibility at smaller sizes, but it creates strong silhouettes at display scale.