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Serif Other Umgo 11 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Braingelt' by Chank, 'Kolesom' by Frantic Disorder, 'Mexiland' by Grezline Studio, 'Gridiron Glory' by Hipfonts, 'Herchey' by Ilham Herry, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, western, vintage, posterish, assertive, decorative, impact, heritage, display, woodtype, flared serifs, wedge terminals, notched joins, ink-trap feel, blocky.


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A very heavy, compact serif with pronounced flared/wedge terminals and angular cut-ins that create a chiseled silhouette. Strokes are broadly uniform, with squared-off counters and frequent notches at inner corners that read like ink-traps or carved joints. The proportions are sturdy and vertical, with short, thick serifs and occasional stepped details (notably in some diagonals and joins) that add a decorative, industrial rhythm. Numerals follow the same blocky construction, mixing rounded-rectangle forms (0, 8) with sharp, bracketed terminals and cut corners.

Best suited for display settings where its heavy color and distinctive terminals can be appreciated—posters, headlines, branding marks, packaging, and signage. It performs especially well in short phrases and titles, where the decorative notches and flared serifs read as intentional style rather than visual noise.

The overall tone is bold and emphatic, evoking vintage display lettering associated with western, circus, and old poster vernaculars. Its carved, high-impact shapes feel confident and slightly theatrical, trading refinement for graphic punch and personality.

The design appears intended to deliver maximum impact with a decorative, heritage-leaning serif voice, borrowing cues from carved or wood-type-inspired lettering. Its construction emphasizes recognizable shapes and strong texture for attention-grabbing typography in branding and editorial display.

In the sample text, the dense weight and tight interior spaces make texture strong and dark, with the distinctive notches becoming a key identifying feature at larger sizes. Curves are generally squared and tensioned rather than smooth, giving the design a sturdy, sign-lettered character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸