Sans Faceted Omty 8 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, logotypes, packaging, signage, art deco, retro, architectural, crisp, stylized, space saving, display impact, retro modernity, geometric styling, signage clarity, condensed, geometric, angular, faceted, high-contrast shapes.
A tightly condensed, monoline sans with a distinctly faceted construction: bowls and curves are reduced to planar angles, producing crisp corners and a cut-paper rhythm. Strokes stay even while terminals tend to finish cleanly and bluntly, and many characters emphasize narrow vertical proportions with minimal sidebearings. The uppercase is tall and columnar, with simplified geometry in letters like O/Q and angular joins in diagonals and crotches. Lowercase forms remain straightforward and legible but inherit the same sharp, segmented logic, giving the overall texture a compact, mechanical cadence.
Best suited to headlines, short copy, and branding where its condensed width and faceted curves can read clearly—posters, event titles, packaging panels, and signage. It also works well for logotypes and wordmarks that benefit from a tall, streamlined silhouette and a retro-modern edge.
The font reads as vintage-modern and design-forward, evoking Art Deco signage and streamlined industrial graphics. Its angular “crystal-cut” curves add a slightly dramatic, architectural tone—confident, stylized, and a bit theatrical—without becoming ornamental. The overall feel is crisp and poster-ready, more display than text.
The design appears intended to merge a condensed grotesque skeleton with a faceted, planar treatment of curves, creating an Art Deco–leaning display voice that feels both vintage and contemporary. The goal seems to be strong visual identity and space efficiency while keeping a clean, single-weight stroke system.
Numerals follow the same narrow, faceted language and appear optimized for vertical alignment and compact settings. Round characters (0/O, C/G) show the strongest planar segmentation, which creates sparkle at large sizes but can look busy if set too small or too tightly tracked. The consistent stroke weight helps maintain clarity despite the sharp geometry.