Sans Superellipse Peraz 11 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Gainsborough' by Fenotype, 'Ramenson' by Larin Type Co, and 'Radley' by Variatype (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, industrial, confident, sporty, retro, playful, maximum impact, geometric coherence, friendly strength, display clarity, rounded corners, squared forms, compact, blocky, high contrast counters.
A heavy, compact sans with squared silhouettes softened by large-radius corners. Curves resolve into superellipse-like rounds, giving bowls and counters a rounded-rectangle feel, while terminals are consistently blunt and clean. Strokes maintain an even thickness with minimal modulation, and spacing is tight but controlled, producing a dense, punchy texture in words. The uppercase reads sturdy and geometric, while the lowercase echoes the same blocky construction with simplified joins and open, rounded counters where possible.
Best suited for display settings where impact is the priority: headlines, posters, logos, packaging, and short-callout signage. It also works well for sports or tech-adjacent branding where a sturdy, rounded-geometry voice helps balance strength with approachability. For longer text, it will be most comfortable at larger sizes with slightly increased spacing.
The overall tone is assertive and utilitarian, with a friendly softness from the rounded corners. It suggests modern industrial signage and athletic branding at once—bold, direct, and slightly retro in its squared, stencil-free geometry. The texture feels energetic and attention-grabbing without becoming chaotic.
The letterforms appear designed to deliver maximum presence with a consistent, rounded-rect geometry that stays coherent across uppercase, lowercase, and numerals. The emphasis is on bold legibility and a distinctive, modern blocky silhouette that reads quickly and feels brand-forward.
The design’s strong corner rounding and squared internal shapes create distinctive negative spaces, especially in letters with bowls and in numerals. At larger sizes the geometric personality is prominent, while at smaller sizes the dense weight and compact apertures may prefer generous leading and tracking to preserve clarity.