Sans Superellipse Haliz 8 is a bold, wide, monoline, upright, normal x-height, monospaced font.
Keywords: ui labels, dashboards, signage, packaging, posters, techy, industrial, utilitarian, modern, friendly, clarity, system design, durability, modernization, approachability, rounded, squareish, compact counters, flat terminals, geometric.
A heavy, monoline sans built from rounded-rectangle geometry, with squarish bowls and generously radiused corners. Strokes stay even and straight-sided, producing a compact, engineered rhythm with broad proportions and consistent spacing. Curves in letters like C, G, O, and S resolve into superelliptic arcs rather than true circles, while joins and terminals remain clean and flat. Lowercase forms keep simple constructions (single-storey a and g) with short, sturdy extenders and open, readable apertures.
Well suited to UI labeling, dashboards, and control-panel style layouts where consistent rhythm and sturdy forms matter. It also fits signage, wayfinding, and product/tech packaging that benefits from a clean, engineered look. In larger sizes it can carry bold headlines and poster typography with a distinctly geometric, rounded-rectangle voice.
The overall tone feels technical and system-like, balancing an industrial firmness with approachable rounded corners. It reads as modern and pragmatic, with a slightly retro-digital flavor that suggests interfaces, equipment labeling, and utilitarian typography rather than expressive handwriting or editorial nuance.
The design appears intended to provide a strong, grid-aligned sans with softened corners, merging industrial clarity with a friendly, contemporary finish. Its consistent construction and squared curves suggest a focus on legibility and visual stability in structured layouts and interface-driven contexts.
The design emphasizes clarity through uniform stroke weight and controlled counter shapes, giving text a steady, grid-friendly texture. Numerals follow the same rounded-rect logic, staying sturdy and highly legible at display sizes, while the overall silhouette leans more squared than circular across both cases.