Distressed Keka 13 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'EF Franklin Gothic' by Elsner+Flake; 'Franklin Gothic' by Linotype; 'Franklin Gothic SB', 'Franklin Gothic SG', and 'Franklin Gothic SH' by Scangraphic Digital Type Collection; 'Plymouth Serial' by SoftMaker; 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection; and 'Franklin Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, merchandise, rugged, retro, handmade, loud, playful, vintage print, tactile texture, bold impact, handmade feel, roughened, blunt, blocky, inked, stamped.
A heavy, blocky serif style with compact proportions and strongly simplified forms. Strokes and terminals are squared off and substantial, while edges show consistent roughness and chipping that suggests worn printing or a hand-cut stencil/letterpress effect. Counters are generally open and sturdy, with minimal contrast and an even, upright stance. The texture is uniform across capitals, lowercase, and figures, giving the face a cohesive, intentionally imperfect rhythm.
Best suited to display contexts such as posters, bold headlines, packaging labels, and logo wordmarks where texture and impact are desirable. It can also work for short pull quotes or signage, especially in projects aiming for a vintage, printed, or handcrafted look.
The font conveys a rugged, vintage tone—confident and a bit gritty—while staying approachable due to its rounded massing and straightforward letter shapes. The distressed edges add energy and a tactile, handmade feel that reads as nostalgic and bold rather than delicate.
The design appears intended to blend a straightforward, heavy serif structure with deliberate wear and irregularity, evoking ink spread, rough paper, or aged letterpress impressions. The goal is high-impact readability paired with a tactile, distressed personality.
In text, the coarse contouring remains visible at larger sizes and becomes a dense, inky texture as sizes drop. Spacing appears comfortably set for display, with the distress pattern providing visual movement even in short words and headlines.