Sans Superellipse Afkuf 3 is a light, wide, low contrast, upright, normal x-height font.
Keywords: ui text, branding, signage, editorial, presentations, clean, modern, calm, friendly, neutral, modernization, clarity, approachability, systematic design, neutrality, open apertures, rounded corners, geometric, rational, crisp terminals.
This typeface presents a clean, geometric sans structure with subtly rounded corners and smoothly drawn curves. Strokes are consistently light with minimal modulation, creating an even, airy texture in text. Round letters (O, C, G, Q) lean toward squarish, superellipse-like forms, while straight-sided characters (H, N, E) keep a crisp, orderly geometry. Terminals are simple and mostly flat or gently softened, and spacing feels generous, contributing to clear word shapes. Numerals follow the same restrained construction, with straightforward figures and rounded joins that match the alphabet.
It is well suited to interface typography and product communications where clarity and a controlled, contemporary voice are needed. The open, evenly weighted forms also make it a solid option for brand systems, wayfinding and signage, and general-purpose editorial or presentation typography, especially at medium and larger sizes.
The overall tone is contemporary and composed, balancing a technical cleanliness with a mild friendliness from the softened geometry. It reads as neutral and professional rather than expressive, making it feel dependable and quietly modern.
The design appears intended to deliver a modern geometric sans with softened, superellipse-influenced curves for a more approachable feel while maintaining a crisp, systematic rhythm. The consistent stroke behavior and open spacing suggest an emphasis on legibility and a clean, contemporary presence across both display and text settings.
Distinctive cues include the superelliptical round forms and the consistent rounding at corners, which give the design a cohesive, product-oriented feel without becoming overtly playful. The punctuation and basic shapes maintain the same simple, uncluttered construction seen in the letters.