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Sans Superellipse Dysa 5 is a regular weight, very wide, medium contrast, upright, normal x-height font visually similar to 'Arian', 'Eurostile Next', and 'Eurostile Next Paneuropean' by Linotype and 'Bi Bi' and 'Novin' by Naghi Naghachian (names referenced only for comparison).

Keywords: ui design, app interfaces, product branding, headlines, signage, techy, sleek, futuristic, clean, confident, modernization, clarity, digital use, distinct silhouette, geometric neutrality, superelliptic, rounded, squared, modular, extended.


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A wide, geometric sans with superelliptic curves and rounded-rectangle counters that keep forms smooth while staying decisively squared at key terminals. Strokes are even and consistent, with clean joins and a slightly modular construction that favors straight segments blended into soft corners. Uppercase shapes read broad and stable, while lowercase maintains clear, open apertures and simplified forms; figures follow the same rounded-rect geometry for a cohesive texture. Spacing appears generous and the overall rhythm is airy, giving the design a crisp, contemporary color in text and display sizes.

It suits interface typography and on-screen applications where a clean, modern feel is needed, as well as product and technology branding. The extended proportions make it effective for headlines, signage, and large-format messaging where a wide, contemporary stance can carry the layout and establish a strong visual identity.

The font conveys a modern, tech-forward tone—cool, efficient, and engineered rather than expressive. Its softened corners add approachability, but the squared geometry keeps the voice precise and confident, suggesting digital interfaces, product design, and contemporary branding.

The likely intention is to offer a contemporary geometric sans that blends squared construction with rounded corners for a distinctive, interface-friendly personality. Its consistent forms and cohesive numeral and letter geometry suggest a focus on clarity, modernity, and a recognizable silhouette in branding and digital environments.

The design language is especially evident in rounded bowls and counters, which lean toward squarish ovals rather than circles, creating a distinctive “soft-box” silhouette across letters and numerals. The broad proportions help maintain legibility at a glance and give headings a spacious, panoramic presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸