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Stencil Orte 3 is a regular weight, normal width, very high contrast, upright, normal x-height font visually similar to 'Ardina Display' by Monotype and 'Beliber' by Ridtype (names referenced only for comparison).

Keywords: headlines, magazines, posters, branding, packaging, fashion, editorial, dramatic, luxury, avant-garde, editorial impact, luxury signaling, distinct identity, modern twist, high-contrast, stencil breaks, sharp serifs, hairline joins, elegant.


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A high-contrast serif with razor-thin hairlines and dense, inky main strokes, punctuated by deliberate stencil-like interruptions. The design leans on refined, Didone-like proportions—upright posture, crisp terminals, and narrow joins—while the breaks create a fragmented rhythm across stems, bowls, and diagonals. Counters are generally generous and clean, with teardrop-like details and occasional tapering that emphasizes the calligraphic stress. The overall texture is dramatic and display-forward, with consistent, intentional gaps that read as structural bridges rather than distressed noise.

Best suited to large-format applications such as magazine titles, fashion spreads, posters, and premium brand identities where the high contrast and stencil interruptions can be appreciated. It can also work for short subheads, pull quotes, and packaging where a dramatic, crafted serif voice is desired, but it is not optimized for dense body text.

The tone is couture and theatrical: polished and sophisticated at a glance, but with an edgy, constructed feel from the broken strokes. It suggests luxury branding with an experimental twist—editorial, moody, and slightly provocative—suited to statements more than everyday reading.

The design appears intended to merge classic high-fashion serif conventions with a modern stencil construction, creating a recognizable signature that feels both traditional and engineered. The consistent breaks function as a stylistic system, aiming for strong identity impact and memorable display typography.

In the sample text, the stencil cuts remain clear even at larger sizes, producing a distinctive sparkle where hairlines would normally connect. Because the thinnest parts are extremely fine, the font’s character depends on clean reproduction and adequate size to keep the breaks and hairlines legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
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Number — Decimal Digit
0
1
2
3
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9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
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\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
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[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸