Sans Normal Opdif 10 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Pelago' by Adobe, 'Centuria' by Catopodis, 'Epoca Classic' and 'Impara' by Hoftype, 'Sinova' by Linotype, 'Skeena' by Microsoft Corporation, 'Organic Pro' by Positype, 'Foundry Form Sans' by The Foundry, and 'Botija' by Tipo (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, ui labels, modern, friendly, straightforward, confident, utilitarian, clarity, modernization, versatility, impact, geometric, rounded, clean, compact, high-impact.
This typeface presents a sturdy, geometric sans structure with generous curves and clean, unmodulated terminals. Round letters like C, O, and Q are near-circular with smooth contours, while straight-sided forms (H, I, N) feel crisp and stable. The lowercase is compact with simple constructions: single-storey a and g, a short, curved-shoulder r, and a symmetrical, pointed w. Counters are relatively open for the weight, and spacing reads even and controlled, producing dense, high-contrast text color without appearing cramped.
Its strong, even shapes and compact lowercase make it well suited to headlines, posters, and branding where clear, confident impact is needed. The clean geometry and steady spacing also fit wayfinding and signage, and it can work effectively for UI labels and navigation where a robust sans voice is desired.
The overall tone is modern and approachable, pairing a friendly roundness with a confident, no-nonsense presence. It feels pragmatic and contemporary—more everyday UI and branding than expressive or decorative—while still delivering strong visual punch in headlines.
The design appears intended as a contemporary, general-purpose geometric sans that prioritizes clarity and consistency while retaining a friendly, rounded character. It aims to deliver dependable readability and a strong visual presence across display-oriented typography.
Capitals skew slightly wide with broad bowls (B, D, P, R) and a prominent circularity in G and O. Numerals are straightforward and sturdy, with a clearly differentiated 0 and an open, simple 4; curves on 2, 3, 5, and 6 maintain the same smooth, geometric logic as the letters. The sample text shows solid legibility at large sizes, with consistent rhythm across mixed-case settings and punctuation.