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Free for Commercial Use

Sans Normal Osmeh 4 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'Pelita' by Lafontype, 'Morandi' and 'SST' by Monotype, 'NeueType' by NicolassFonts, 'Core Sans N' and 'Core Sans NR' by S-Core, 'Quebec Serial' by SoftMaker, and 'Adora Normal PRO' by preussTYPE (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, packaging, confident, modern, straightforward, friendly, energetic, impact, clarity, legibility, simplicity, clean, geometric, rounded, sturdy, compact joints.


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This is a heavy, geometric-leaning sans with smooth, round counters and clean terminals. Strokes are broadly even with subtle modulation, and curves stay controlled and symmetrical, giving the design a stable, engineered rhythm. Proportions feel spacious with generous internal space, helping maintain clarity despite the weight, while the lowercase keeps a simple, workmanlike construction.

It works especially well for branding, headlines, posters, packaging, and UI elements where emphasis and quick scanning are important. The weight and open counters make it suitable for signage and callouts, while the restrained, clean shaping can also support short blocks of text such as product descriptions, navigation labels, and marketing copy.

The font projects a confident, no-nonsense tone with a friendly edge. Its heavy, open forms feel modern and practical, reading as straightforward rather than decorative. The overall impression is energetic and assertive, suited to clear communication that wants to stand out.

The design appears intended to deliver strong visual presence while remaining readable in short to medium text. Its geometry and smooth curves suggest an aim for contemporary neutrality, with enough warmth from round counters to avoid a harsh, technical feel. The consistent, uncomplicated letter construction supports quick recognition and reliable rendering across sizes.

The numerals are similarly sturdy and highly legible, with simple silhouettes that match the letterforms. Uppercase shapes read crisp and stable, and the overall spacing in the sample suggests a comfortable, uncluttered texture when set in heavier sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸