Sans Superellipse Hagud 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mercurial' by Grype; 'Obvia Wide' by Typefolio; and 'Alfaqix Algorithm', 'Alfaqix Diode', 'Alfaqix Ellipsoid', 'Alfaqix Servo', and 'Kinesthesia' by Typodermic (names referenced only for comparison).
Keywords: headlines, logotypes, posters, packaging, ui labels, tech, industrial, confident, sporty, modern, display impact, technical tone, geometric cohesion, signage clarity, square-rounded, chamfered, compact, sturdy, geometric.
A compact, geometric sans with rounded-rectangle (superellipse) construction and heavy, even stroke weight. Corners are softened with radius transitions and occasional chamfer-like cuts, producing crisp terminals without sharp spikes. Curves are squarish and controlled, with wide counters in forms like O and 8, and generally tight apertures that keep silhouettes blocky and efficient. The rhythm is steady and mechanical, with consistent proportions and a sturdy baseline presence that holds up well at display sizes.
Best suited to headlines and short statements where its blocky geometry can read as intentional and bold. It also fits logotypes, product naming, packaging, and interface or device-style labeling where a technical, modern voice is desired.
The overall tone feels technical and engineered, with a sporty, utilitarian edge. Its squared rounds and clipped details evoke equipment labeling, sci‑fi interfaces, and industrial branding rather than casual or handwritten warmth.
The design appears intended to translate superelliptical, rounded-rectangle forms into a robust display sans that feels engineered and contemporary. Its consistent stroke weight and clipped terminals suggest a focus on strong silhouettes, quick recognition, and a distinctly techno-industrial flavor.
Distinctive details include an angular, cut-in tail on Q and a single-story a with a flattened, squared bowl. Numerals follow the same rounded-rect logic, giving 0–9 a cohesive, signage-like clarity; the 1 is especially simple and monolinear, while 2 and 3 emphasize flat horizontals and broad curves.