Font Hero

Free for Commercial Use

Serif Other Lizu 12 is a very bold, normal width, medium contrast, italic, normal x-height font.

Keywords: posters, headlines, branding, packaging, titles, dramatic, theatrical, vintage, mysterious, assertive, display impact, distinct texture, poster style, brand signature, cut-in counters, incised feel, wedge terminals, high-ink presence, angular joins.


Free for commercial use
Customize the font name

A heavy, right-leaning serif display with sculpted, incised-looking forms and frequent wedge-like cut-ins that interrupt bowls and joins. Strokes are broad and confident, with sharp triangular terminals and brisk, angled entry/exit shapes that create a faceted silhouette. Curves feel carved rather than drawn, with counters often pinched or split by diagonal notches, while the spacing and rhythm remain consistent enough for short text settings. Numerals and capitals keep the same chiseled logic, producing a cohesive, graphic texture across the set.

Best suited to posters, headlines, editorial titles, and branding where a strong graphic voice is desired. It can work well for packaging and event materials that benefit from a carved, vintage-display flavor; for longer passages, it’s most effective in short bursts or larger sizes where the distinctive cut-in details read clearly.

The overall tone is bold and theatrical, blending vintage poster energy with a slightly mysterious, mask-like character created by the cut-out counters. Its slanted stance and sharp internal cuts add motion and tension, making it feel expressive and attention-seeking rather than neutral or bookish.

The design appears intended as a striking display serif that uses carved-in apertures and wedge terminals to create a signature, immediately recognizable texture. It prioritizes character and impact over neutrality, aiming to evoke a crafted, cinematic poster-like presence.

In sample text, the repeated internal notches can visually connect into a lively pattern, especially at larger sizes, while smaller sizes may show more sparkle and fragmentation due to the cut-ins. The italic angle is integral to the construction (not merely slanted), reinforcing a sense of forward drive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸