Sans Superellipse Rymof 6 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Avionic' by Grype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, ui display, signage, techno, industrial, futuristic, athletic, utilitarian, tech aesthetic, geometric consistency, display impact, signage clarity, rounded corners, squared curves, boxy, condensed feel, high-clarity.
A geometric sans with a superelliptic, rounded-rectangle construction throughout. Strokes are heavy and consistently weighted, with squared-off terminals and softened corners that keep forms compact and controlled. Counters tend toward rectangular openings, and curves resolve into flattened arcs rather than true circles, producing a distinctly boxy rhythm. Lowercase uses single-storey a and g, with short, sturdy joins and minimal tapering; numerals share the same rounded-square logic (notably 0 and 8 with boxy counters). Overall spacing and proportions read tight and engineered, prioritizing crisp silhouettes and clear interior shapes.
Best suited to headlines, short statements, and branding where a technical, structured look is desired. The sturdy shapes and compact counters make it effective for UI display text, labels, and signage at moderate to large sizes, as well as sports or esports-style identity work.
The tone is modern and technical, with an industrial, display-driven presence that suggests machinery, interfaces, and engineered signage. Its squared curves and robust weight feel assertive and functional rather than friendly, giving it a sporty, sci‑fi edge while staying clean and legible.
The design appears intended to merge a clean sans foundation with a superelliptic, rounded-square geometry for a contemporary, engineered aesthetic. It emphasizes consistency across letters and numerals, delivering a strong, high-impact voice while maintaining straightforward readability.
Diagonal letters (K, V, W, X, Y, Z) are sharply cut and angular, contrasting with the softened corners elsewhere for added snap. Punctuation and small details (like the dot on i/j and the apostrophe) follow the same squared geometry, helping the design remain visually consistent in text settings.