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Sans Superellipse Otnek 8 is a bold, narrow, monoline, upright, tall x-height font visually similar to 'Hardley Brush' by Negara Studio (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, compact, assertive, utilitarian, contemporary, space saving, high impact, signage clarity, geometric uniformity, modern utility, condensed, blocky, rounded corners, high contrast spacing.


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A compact, condensed sans with uniform, heavy strokes and rounded-rectangle (superellipse-like) construction in the curved letters. Counters are tight and often vertically oriented, with squared terminals and minimal stroke modulation. The uppercase is tall and rectangular in proportion, while the lowercase maintains a high x-height and simplified shapes that prioritize sturdy silhouettes over generous interior space. Overall rhythm is dense and vertical, with short extenders and consistent, blocklike letterfit that keeps forms tightly packed.

Best suited to high-impact display settings where compact width and strong weight help text hold shape at a distance—headlines, posters, and wayfinding-style signage in particular. It also fits packaging and brand marks that need an efficient, space-saving word shape without decorative detail. For body text, it works most reliably at larger sizes with ample leading to offset the dense texture.

The tone is firm and workmanlike, with an industrial directness that reads as modern signage and utilitarian labeling. Its compact proportions and heavy presence feel assertive and slightly mechanical, projecting efficiency more than warmth. Rounded corners soften the rigidity just enough to keep it contemporary rather than purely brutal.

This design appears intended to deliver a space-efficient, high-contrast presence through condensed proportions and robust, simplified forms. The superelliptical rounding suggests a controlled, modern geometry aimed at clear, repeatable silhouettes for prominent typographic voice. The overall system favors consistency and impact over delicate detail.

Round letters like O/C/G lean toward squarish bowls, and joins tend to be crisp, reinforcing a technical, engineered feel. The numerals follow the same narrow, sturdy logic, producing strong alignment and a consistent color in lines of mixed text. In longer samples the dense spacing and small counters increase punch, but can reduce comfort at very small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸