Sans Superellipse Hidun 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Cream Opera' by Factory738, 'Double Porter' by Fenotype, 'Miguel De Northern' by Graphicxell, 'Armetica' by Hsan Fonts, 'Moneer' by Inumocca, 'Posterman' by Mans Greback, and 'Merchanto' by Type Juice (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, sports branding, assertive, compact, industrial, poster-ready, utilitarian, space-saving impact, clear display, modern geometry, brand emphasis, blocky, condensed, rounded-corner, flat-sided, high-impact.
A compact, heavy sans with flattened curves and rounded-rectangle construction that gives bowls and counters a squarish, superellipse feel. Strokes remain uniform with little modulation, and terminals are mostly blunt, creating dense letterforms and tight interior space. The proportions are vertically emphatic and slightly condensed, with straightforward geometry across capitals and lowercase; round letters like O/C/G read more like softened boxes than circles. Numerals are similarly weighty and simplified, maintaining the same sturdy rhythm and tight counters.
Well suited to headlines, posters, and short, emphatic messaging where compact width and strong mass improve impact. It also fits wayfinding/signage, packaging, and punchy brand applications that benefit from an industrial, engineered texture and a clear, simplified silhouette.
The overall tone is forceful and pragmatic—more signage and “get it read” than delicate or expressive. Its squared-off rounds add a contemporary, engineered character that feels industrial and no-nonsense, while the softened corners keep it from feeling harsh or purely mechanical.
Likely designed to deliver maximum presence in limited horizontal space, pairing a condensed footprint with sturdy, uniform strokes. The rounded-rectangle geometry suggests an intention to feel modern and constructed—clean and systematic—while remaining friendly enough for broad display use.
Because counters are relatively small and joins are robust, the face reads best when given enough size or generous spacing; in longer text blocks it can feel dense. The distinctive rounded-rectangle skeleton gives it a strong, repeatable texture in headlines and labels, especially where a compact footprint is helpful.