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Sans Superellipse Solig 9 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Artigua' by Picador, 'Ahimsa' by Satori TF, 'Clear Gothic Serial' by SoftMaker, 'Newbery Sans Pro' by Sudtipos, 'Indecise' by Tipo Pèpel, 'TS Clear Gothic' by TypeShop Collection, and 'Acorde' by Willerstorfer (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, energetic, confident, modern, display impact, dynamic tone, modern branding, friendly boldness, oblique, rounded, compact, sturdy, bouncy.


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A heavy, forward-slanted sans with rounded, superellipse-like bowls and softened terminals. The strokes are uniform and dense, with tight apertures and compact internal counters that keep the texture dark and cohesive. Curves are broad and squared-off in feeling, while joins and diagonals stay clean and stable, giving letters a sturdy, slightly compressed rhythm. Numerals match the set’s weight and slant, with simple, blocky silhouettes and consistently rounded corners.

This font performs best in short, prominent settings such as headlines, posters, campaign graphics, and bold brand marks where the slanted stance can convey motion. It also suits packaging and sports-oriented visuals that benefit from a compact, powerful typographic voice. For longer text, it’s most effective in brief callouts or display-size emphasis rather than extended reading.

The overall tone is assertive and high-impact, with an energetic, sporty feel driven by the strong oblique angle and thick strokes. Its rounded geometry adds a friendly, contemporary warmth, keeping the boldness from feeling harsh. The result reads as confident and attention-grabbing, suited to fast, dynamic messaging.

The design appears intended to deliver maximum impact with a modern, rounded geometric language, combining a strong oblique stance with sturdy, compact letterforms. It prioritizes immediacy and recognizability, aiming for a contemporary display presence that feels fast and approachable.

At larger sizes the forms feel smooth and graphic, emphasizing silhouette over fine detail. The italic construction appears engineered rather than calligraphic, maintaining consistent stroke weight and rounded geometry across caps, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸