Sans Superellipse Ollok 10 is a very bold, very narrow, monoline, upright, normal x-height font visually similar to 'Neumatic Gothic Round' by Arkitype, 'Mosquich' by FallenGraphic, 'Kiosk' by Fenotype, 'Fox Aromatic' by Fox7, 'Frontage Condensed' by Juri Zaech, and 'Havana Sunset' by Set Sail Studios (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, labels, condensed, industrial, utilitarian, assertive, retro, space saving, high impact, signage clarity, geometric consistency, brand stamping, rounded corners, square-ish, compact, blocky, high contrast (counter/1.
A compact, heavy sans with tightly drawn proportions and a strong vertical emphasis. Strokes are consistently thick with minimal modulation, and terminals are squared off but softened by rounded corners, producing a rounded-rectangle (superelliptic) construction in bowls and counters. Curves are restrained and geometric, with apertures and internal spaces kept small, creating a dense, poster-ready texture. The lowercase follows the same sturdy logic, with sturdy stems and simplified joins that preserve legibility in a condensed footprint.
Best suited to headlines, short copy, and display settings where space is limited but impact is needed, such as posters, signage, labels, and packaging. It can also work for UI titling or navigation text when a compact, high-presence look is desired, though longer passages will benefit from generous size and leading.
The overall tone is forceful and pragmatic, with an industrial, no-nonsense presence. Its compact geometry and softened corners add a touch of retro signage and packaging energy while still feeling modern and functional.
The design appears intended to maximize punch and legibility in tight horizontal spaces by combining condensed proportions with simplified, rounded-rectilinear forms. Its consistent stroke weight and squared-but-soft terminals suggest a focus on durable, reproducible letterforms for branding and display typography.
The narrow set width and small counters make the face visually dark in paragraphs, especially at smaller sizes, while larger settings show off its clean, engineered shapes. Rounded corners help prevent the forms from feeling overly harsh, balancing the rigid, squared construction.