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Free for Commercial Use

Sans Normal Yimis 8 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'POLIGRA' by Machalski, 'Neue Reman Sans' by Propertype, and 'Fortune Mouner' by Viswell (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, event promos, rugged, handmade, poster, grunge, playful, stamped look, aged print, diy impact, analog texture, distressed, stenciled, chunky, blotchy, rough-edged.


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A heavy, chunky sans with simplified, rounded counters and broadly shaped forms. The outlines are intentionally irregular and distressed, with ragged edges and intermittent breaks that create a worn, stamped look. Curves and bowls read as robust, near-circular masses, while straight stems stay blocky and slightly uneven, giving a hand-printed rhythm. Spacing appears fairly open for the weight, helping letters stay recognizable despite the texture and ink-trap-like notches.

Best suited to display typography where bold silhouettes and texture are meant to be seen—posters, headlines, merch graphics, labels, and short taglines. It can add grit and authenticity to branding for craft, outdoor, music, or streetwear-adjacent projects, and works well when paired with a cleaner text face for longer copy.

The overall tone feels rugged and analog, like ink pressed through a crude stencil or a well-used rubber stamp. Its rough texture adds an energetic, informal character that can read as gritty, DIY, or vintage depending on context. The bold silhouettes keep it punchy and attention-seeking, while the imperfections make it feel human and tactile.

The design appears intended to deliver a strong, simple sans foundation with an intentionally worn, stamped finish—prioritizing impact and tactile character over pristine geometry. The consistent distressing suggests a deliberate “print artifact” aesthetic aimed at making digital type feel physical and imperfect.

The distressing is consistent across the alphabet and numerals, producing a cohesive “printed” surface rather than random noise. Round letters (like O/0) rely on strong interior voids for clarity, while diagonals and joins show small bite-outs that enhance the weathered effect. At smaller sizes the texture is likely to merge, so the strongest impact is in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸