Sans Normal Ohbah 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Avenir Next', 'Avenir Next Arabic', 'Avenir Next Cyrillic', 'Avenir Next Georgian', 'Avenir Next Hebrew', 'Avenir Next Paneuropean', 'Avenir Next Thai', and 'Avenir Next World' by Linotype and 'Pulp Display' by Spilled Ink (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, confident, modern, friendly, loud, sporty, impact, clarity, modernity, approachability, geometric, rounded, chunky, clean, high-impact.
A heavy, geometric sans with broad, rounded curves and flat, decisively cut terminals. Strokes are uniform and dense, with compact apertures and a sturdy, slightly condensed feeling in some letters balanced by generous circular forms in others. Uppercase shapes lean toward simple geometry (round O, clean G, stable A), while lowercase keeps the same solid rhythm with single-storey a and g, a short-armed r, and a compact, high-shouldered m. Numerals are bold and simplified, with strong, easily read silhouettes and minimal interior detail.
This font is well suited to bold headlines, posters, and display typography where its compact counters and strong geometry can carry impact. It also fits branding and packaging that call for a modern, approachable voice, and it can work in signage when set with enough size and spacing for clarity.
The overall tone is assertive and contemporary, with a friendly bluntness that reads as practical rather than delicate. Its rounded geometry gives it approachability, while the weight and tight counters add urgency and punch suitable for attention-grabbing messaging.
The design appears intended to deliver maximum visual presence with simple, geometric construction and minimal stylistic fuss. It prioritizes bold, clean letterforms that reproduce consistently and read quickly in short bursts of text.
The design maintains consistent stroke weight and a tight internal space strategy, which boosts impact at large sizes but can make dense text feel dark at smaller sizes. Diacritics are not shown; the sample emphasizes strong baseline alignment and steady spacing in headline settings.