Sans Superellipse Mifo 11 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Gomme Sans' by Dharma Type, 'Nizzoli' by Los Andes, 'Absalon' by Michael Nordstrom Kjaer, and 'Glint' by Pesic (names referenced only for comparison).
Keywords: headlines, logotypes, signage, packaging, posters, techy, friendly, futuristic, confident, playful, impact, modernize, soften, brandability, digital feel, rounded, squared, soft corners, geometric, blocky.
A rounded, squarish sans with superellipse-like bowls and heavily softened corners throughout. Strokes are thick and even, with minimal modulation and a generally closed, compact internal space in letters like B, 8, and 9. Curves resolve into flattened horizontals and verticals, creating a sturdy, engineered rhythm; terminals are consistently blunt and rounded rather than tapered. Uppercase forms are broad and stable, while lowercase stays simple and monolinear with single-storey a and g, and short, squared shoulders and arms that keep the texture dense.
This style is best suited to display sizes such as headlines, brand marks, product naming, packaging, and short callouts where the chunky, rounded geometry can carry personality. It also fits signage and interface labeling when a sturdy, friendly-tech look is desired, though dense counters suggest giving it a bit of size or breathing room in longer passages.
The overall tone reads modern and tech-forward while staying approachable due to the generous corner rounding and calm, uniform stroke weight. Its squared curves and wide stance suggest industrial design, digital interfaces, and sci‑fi signage, but the softened geometry keeps it from feeling harsh or overly mechanical.
The font appears designed to merge geometric, rounded-rectangle construction with a strong, high-impact presence for contemporary branding and digital-forward graphics. Consistent corner treatment and monolinear strokes point to an intention of visual unity across glyphs, prioritizing a clean, manufactured feel with an approachable finish.
The design emphasizes rounded-rectangle construction across both letters and numerals, producing a cohesive “soft square” silhouette in O/0 and other round characters. Counters are relatively small for the weight, so text blocks appear dark and solid, especially in longer lines.