Sans Superellipse Firoz 5 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'Adero' by Eko Bimantara, 'Gltp Starion' by Glowtype, 'Fordek' by Isolatype, 'Belle Sans' by Park Street Studio, 'Otoiwo Grotesk' by Pepper Type, 'Mynor' by The Northern Block, and 'Body' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, product logos, packaging, sporty, assertive, modern, dynamic, techy, emphasis, speed, impact, modern branding, display clarity, rounded, squarish, geometric, compact, soft-cornered.
A heavy, slanted sans with broad proportions and rounded-rectangle (superellipse-like) construction throughout. Curves are squared-off and softly cornered, giving bowls and counters a clean, engineered feel rather than a purely circular one. Strokes stay uniform with minimal modulation, terminals are generally blunt, and apertures tend to be tight, producing a dense, high-impact texture in words. The lowercase is sturdy and compact, with a single-storey “a” and “g”, while numerals are wide and stable with matching soft corners and flat-sided curves.
Best suited to short, bold statements such as headlines, poster typography, sports and motorsport-style branding, product wordmarks, and energetic packaging. It can also work for UI banners, event promos, or tech-forward marketing where a wide, italicized emphasis is desirable.
The overall tone reads fast and forceful, with a contemporary, performance-oriented energy. The rounded squareness keeps it friendly and controlled, balancing aggression with a smooth, aerodynamic finish.
The design appears intended to deliver maximum impact and motion through a wide stance and pronounced slant, while using superellipse-like rounding to keep forms consistent and contemporary. It prioritizes punchy legibility and a streamlined, modern silhouette for branding and display typography.
The strong slant and broad set-width make spacing and word shapes feel forward-leaning and expansive, especially in all-caps. In longer lines the weight and tight internal counters can create a dark rhythm, favoring display sizes over small text.