Sans Superellipse Ilti 1 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Biome' by Monotype, 'RBNo3.1' by René Bieder, 'Dark Sport' by Sentavio, and 'Inovasi' and 'Nova Pro' by XdCreative (names referenced only for comparison).
Keywords: sports branding, headlines, posters, gaming ui, logotypes, sporty, dynamic, techy, confident, aggressive, impact, speed, modernity, branding, legibility, blocky, rounded, slanted, compressed counters, ink-trap cuts.
A heavy, right-slanted sans with broad, superellipse-based curves and squared-off terminals that read like rounded rectangles. The letterforms are compact and tightly enclosed, with small apertures and counters that emphasize mass and a strong, continuous silhouette. Strokes are generally uniform, but several joins and interior corners show angular cut-ins that function like ink-trap notches, adding snap and improving separation at tight points. Overall spacing feels sturdy and engineered, with a forward-leaning rhythm and a distinctly geometric, automotive-like stance.
Best suited for high-impact display settings such as sports identities, esports and gaming graphics, product logos, packaging callouts, and punchy advertising headlines. It can also work for UI labels or wayfinding-style titling where a strong, forward-leaning emphasis is desirable, but its tight counters make it more effective at larger sizes than in long text.
The tone is fast, forceful, and contemporary, combining a sporty, competitive attitude with a clean, industrial polish. Its pronounced slant and dense forms project motion and urgency, while the rounded geometry keeps it friendly enough for mainstream branding.
The design appears intended to deliver maximum visual punch with a sense of speed and precision, using rounded-rect geometry and strategic cut-ins to keep heavy shapes readable. It balances bold, compact silhouettes with engineered detailing to maintain clarity and an energetic, performance-oriented feel.
Round letters (such as O/o) appear as softened rectangles rather than true circles, reinforcing the superellipse theme across the set. The lowercase shows simple, utilitarian structures (single-storey forms where applicable) and the numerals follow the same chunky, aerodynamic logic, staying legible through bold mass and clear interior shaping.