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Free for Commercial Use

Distressed Sode 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Belle Sans' by Park Street Studio and 'NuOrder' by The Northern Block (names referenced only for comparison).

Keywords: posters, album covers, headlines, packaging, event flyers, grunge, handmade, rugged, vintage, pulp, add texture, evoke wear, create impact, signal grit, rough edges, ink bleed, chipped, stamped, irregular texture.


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A heavy, blocky Latin with compact proportions and a strong, poster-like silhouette. Stroke terminals and outer contours are aggressively eroded, producing torn, chipped edges and occasional ink-bleed bulges that make each letterform feel physically worn. Counters stay mostly open but are uneven and slightly gnawed, and curves (C, O, S) show lumpy, irregular rounding rather than smooth geometry. Spacing and widths vary noticeably, reinforcing a hand-printed, distressed rhythm while keeping a consistent, bold color on the page.

Best suited to short, high-impact lines such as posters, album art, packaging labels, and punchy headlines where the distressed edges can read clearly. It can also work for themed subheads and callouts in designs that want a rough, analog print texture, but extended small-size body text may lose clarity as the erosion detail fills in.

The overall tone is gritty and tactile, like lettering pulled from weathered signage, rough screen prints, or distressed rubber stamps. It reads as raw and urgent, with a DIY edge that suggests underground flyers, horror/pulp packaging, or vintage industrial ephemera rather than polished corporate typography.

The design appears intended to emulate worn printing and battered display lettering—prioritizing texture, irregularity, and attitude over clean precision. It aims to deliver instant character through distressed contours while maintaining enough structure for recognizable, forceful letterforms.

In text settings the rough perimeter noise becomes a dominant texture, creating a dark, grainy typographic mass; the effect is strongest at display sizes where the erosion detail remains legible. The uppercase carries a sturdy, condensed feel, while the lowercase remains simple and compact, keeping the distressed texture as the main personality driver.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸