Sans Faceted Nini 9 is a very bold, narrow, medium contrast, upright, short x-height font.
Keywords: headlines, posters, logos, packaging, labels, industrial, retro, aggressive, techno, signage, impact, bold branding, industrial tone, geometric styling, angular, faceted, blocky, condensed, chiseled.
A compact, heavy display face built from straight strokes and sharp planar facets, with curves consistently replaced by clipped angles. Strokes are predominantly uniform in thickness, creating a dense, high-ink silhouette and a tight internal-counter rhythm. Proportions are condensed overall, with tall capitals and a low, compact lowercase that keeps bowls and apertures small; joins and terminals often end in beveled cuts rather than perpendicular finishes. The numerals follow the same faceted construction, with the 0 rendered as an angular ring and other figures relying on crisp diagonals and squared-off horizontals.
Best suited to headlines, posters, wordmarks, and short bursts of text where the angular construction can be appreciated. It also fits packaging, labels, and signage-style applications that benefit from a compact, high-impact look. For longer passages, larger sizes and generous tracking help preserve clarity in the tight counters.
The faceted geometry and dense black weight give the font a hard-edged, mechanical tone that feels assertive and slightly retro. Its chiseled, stencil-like angles read as utilitarian and bold, suggesting engineered surfaces, metalwork, and graphic labeling. Overall it communicates intensity and impact more than softness or neutrality.
The design appears intended to translate a sans structure into a faceted, cut-metal aesthetic, prioritizing punchy silhouettes and distinctive geometry over smooth readability. It aims to deliver a compact, forceful voice with consistent beveled logic across letters and numerals.
Spacing appears tight and the small counters can close up at smaller sizes, while the distinctive facets stay highly recognizable at headline scales. The mix of squared forms and diagonal cuts creates a lively, jagged texture in running lines, especially where repeated verticals and beveled shoulders stack closely.