Print Fulab 1 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gimbal Grotesque' by AVP, 'Whitney' by Hoefler & Co., 'Frutiger Next Paneuropean' by Linotype, and 'FreeSet' by ParaType (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids, branding, playful, punchy, casual, hand-drawn, friendly, handmade feel, display impact, friendly branding, playful tone, poster readability, chunky, rounded, soft corners, ink-trap feel, irregular.
A heavy, chunky display face with softly rounded corners and subtly irregular, hand-drawn contours. Strokes are largely monoline with a low-contrast feel, while terminals often show slight notches and wedge-like cuts that create a rugged, inked texture. Counters are compact and openings are sometimes narrow, giving the letters a dense, poster-ready silhouette. Uppercase forms are broad and simplified; lowercase follows the same bold construction with sturdy stems and a single-storey a, while numerals are thick and compact with distinctive, slightly angular shaping.
Works best for short, high-impact text such as posters, headlines, logos, packaging callouts, and playful branding systems. It also suits children’s or casual editorial styling where a bold, hand-rendered voice is desired, especially at medium-to-large sizes.
The overall tone is energetic and informal, with a friendly, approachable grit that reads like bold marker or cut-paper lettering. Its imperfect edges and chunky rhythm convey spontaneity and humor more than precision or formality.
Likely intended as a bold, informal display font that mimics hand-drawn print lettering while remaining consistent enough for repeated use in branding and titling. The small notches and softened corners appear designed to add character and texture without sacrificing the strong, readable silhouettes.
The design leans on strong silhouettes and tight internal spaces, which helps it hold together at larger sizes but can reduce clarity in small text. The punctuation and joins in the sample text reinforce the hand-made personality, and the Q, G, and s-style curves show a consistent preference for simplified shapes over strict geometric symmetry.