Sans Superellipse Upvy 6 is a very bold, very wide, low contrast, upright, normal x-height font visually similar to 'Breaking Kingdome' by Adita Fonts and 'Brigends Expanded' by Multype Studio (names referenced only for comparison).
Keywords: headlines, logotypes, posters, sports branding, ui titles, futuristic, techno, industrial, sporty, assertive, impact, modernity, tech feel, brand presence, systematic geometry, rounded corners, square-rounded, chunky, compact counters, soft terminals.
A heavy, expanded sans built from rounded-rectangle geometry, with squared curves and consistently softened corners. Strokes maintain an even, monoline feel, while counters are compact and often horizontally oriented, creating a dense, mechanical texture in words. The uppercase is broad and stable, with wide bowls and squared-off apertures; lowercase echoes the same superelliptical construction, with single-storey a and g and a firm, blocky rhythm. Figures are similarly wide and sturdy, with simplified interior shapes that keep the overall color very dark and uniform.
Best suited to display settings where mass and width can work as a graphic element—headlines, posters, packaging, and logotypes. It also fits short UI or on-screen titles when a tech-forward, high-impact look is needed, especially at larger sizes where the tight counters remain clear.
The tone is modern and engineered, blending the friendliness of rounded corners with the authority of large, solid forms. Its squarish curves and tight counters evoke sci‑fi interfaces, motorsport branding, and product design where impact and a technical voice are desired. The overall impression is bold, confident, and slightly retro-futurist.
The design appears intended to translate a rounded-rect, industrial form language into a cohesive alphabet: soft corners for approachability, but squared curves and dense counters for a technical, high-performance feel. It prioritizes presence and stylistic coherence over delicate detail, aiming for a distinctive, futuristic display voice.
Spacing and sidebearings appear tuned for headline presence: the letterforms read as discrete blocks with minimal interior air, producing strong silhouette recognition. Round letters like O/Q and bowls in B/P/R feel particularly squared and superelliptical, reinforcing a consistent system across caps, lowercase, and numerals.