Sans Superellipse Hubiz 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'FF Clan' by FontFont; 'Allotrope' by Kostic; 'Fact' by ParaType; 'Amsi Pro', 'Amsi Pro AKS', and 'Sans Beam' by Stawix; 'Robusta' by Tilde; and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, assertive, industrial, compact, utilitarian, sporty, space saving, high impact, sturdy clarity, modern utility, blocky, squared, rounded corners, sturdy, condensed.
A dense, heavy sans with a compact footprint and squared, superellipse-like contours. Curves resolve into rounded-rectangle bowls and terminals, producing an overall blocky silhouette with softened corners rather than sharp geometry. Strokes stay broadly uniform, counters are relatively tight, and apertures tend to be restrained, giving the letters a solid, poster-ready color. The lowercase reads with a tall x-height and short extenders, while the uppercase feels wide-shouldered and firmly planted; figures follow the same chunky, squared rhythm.
Best suited to short, high-impact settings such as headlines, posters, logos, packaging callouts, and signage where a dense, sturdy texture is an advantage. It can work in large blocks of display copy, but the tight counters and heavy color suggest using generous size, tracking, or line spacing for comfortable reading.
The tone is bold and no-nonsense, with a compressed, workmanlike presence that feels mechanical and punchy. Its rounded-square geometry adds a friendly softness to an otherwise tough, emphatic voice, suggesting sport, packaging, and industrial labeling.
The design appears intended to deliver maximum impact in minimal horizontal space while keeping forms approachable through rounded-square construction. It prioritizes strong presence, consistent rhythm, and robust shapes that hold up well in bold display contexts.
Round letters like O/C/G and bowls in b/p/q show a consistent rounded-rectangle construction, while diagonals (K, V, W, X, Y) stay thick and compact, reinforcing a strong, condensed rhythm. The overall texture remains dark and even in paragraphs, with word shapes built from broad verticals and tight internal space.