Sans Superellipse Okbam 3 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Nestor' by Fincker Font Cuisine, and 'Neusa Neu' by Inhouse Type (names referenced only for comparison).
Keywords: posters, headlines, signage, packaging, sports branding, industrial, sporty, modern, condensed, utility, space saving, high impact, technical tone, brand utility, rounded corners, squarish rounds, compact, monoline, blunt terminals.
A compact, monoline sans with a distinctly squared-round construction: curves resolve into rounded-rectangle bowls and softened corners rather than true circles. Strokes are heavy and even, with blunt terminals and minimal modulation, creating a sturdy, sign-like presence. Counters are relatively tight and apertures are small, while verticals dominate the rhythm, reinforcing a condensed, efficient texture in text. Figures and capitals share the same straight-edged, softened-corner logic, with a crisp, engineered consistency across the set.
Best suited for short-to-medium text at display sizes where its condensed build and heavy, even strokes can deliver impact without feeling decorative. It works well for posters, labels, wayfinding, and brand marks that need a tough, engineered voice, and it can also serve in UI accents or navigation elements where compact width is helpful.
The tone reads confident and utilitarian, with an industrial, no-nonsense character that feels at home in contemporary branding and wayfinding. Its squared curves and dense color add a sporty, technical edge, suggesting durability and performance rather than delicacy.
The likely intention is a robust, space-saving sans that maintains high impact through simplified geometry and consistent stroke weight. By basing forms on squared-off rounds and softened corners, it aims for a modern, technical look that remains friendly enough for commercial and editorial display use.
The design leans on superelliptic geometry throughout, producing rounded corners that feel systematic and machined. In longer lines, the compact spacing and narrow forms create a strong vertical cadence and a dark, emphatic overall color.