Sans Normal Lomor 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'LC Trinidad' by Compañía Tipográfica de Chile, 'Core Sans G' by S-Core, and 'Coco Sharp' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, energetic, sporty, confident, modern, playful, impact, motion, display, clarity, modernity, geometric, rounded, oblique, chunky, high-impact.
A heavy, oblique sans with compact, geometric construction and rounded curves. Forms lean consistently to the right with a forward-driving rhythm, while counters stay open and simple. Terminals are mostly blunt and clean, and strokes maintain an even, solid color across curves and diagonals. Round letters like O/C/G read as near-circular, while diagonals in A/V/W/X and the angular joins in M/N/K add crisp structure. Figures are bold and straightforward, built from the same sturdy shapes as the letters for a cohesive, high-impact texture.
Best suited for large-scale text where impact matters: headlines, posters, campaign graphics, and bold brand marks. The forward slant and sturdy forms also fit sports and event collateral, packaging callouts, and social media graphics where quick readability and a dynamic tone are desired.
The overall tone is punchy and assertive, with an energetic slant that suggests speed and motion. Its rounded geometry keeps the voice friendly rather than aggressive, balancing boldness with approachability. The result feels contemporary and action-oriented, well suited to attention-grabbing statements.
The design appears intended to deliver maximum visual punch with a fast, modern feel, using geometric, rounded shapes and a consistent oblique angle to communicate momentum. It emphasizes clarity and bold presence over fine detail, aiming for strong silhouettes and confident display typography.
Spacing and shapes prioritize strong silhouette and immediate legibility at larger sizes, producing a dense, poster-like typographic color. The italic angle is pronounced enough to read as intentionally dynamic rather than merely slanted, and the simplified details keep the forms clean under bold weight.