Stencil Vedo 3 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Paul Grotesk Stencil' by artill (names referenced only for comparison).
Keywords: posters, headlines, signage, branding, packaging, industrial, technical, modern, utilitarian, futuristic, stencil styling, industrial tone, display clarity, systematic construction, geometric, modular, segmented, rounded corners, high contrast gaps.
A geometric stencil sans with monoline strokes and deliberate breaks that create consistent bridges across curved and straight forms. Terminals are mostly squared with slightly rounded corners, and counters tend toward circular/oval geometry (notably in O, Q, and numerals). The stencil cuts are applied with a steady logic across the set—often as vertical or horizontal interruptions—producing a clean, modular rhythm. Lowercase forms are simple and pared back, with single-storey a and g, and generally open, uncluttered interiors that keep the segmented shapes readable at display sizes.
Works well for posters, titles, logos, product branding, and signage where a stencil aesthetic is desirable and letterforms are set at moderate to large sizes. It can also suit packaging, event graphics, and UI accents that aim for an industrial/technical mood, especially in short to medium text blocks.
The tone is industrial and technical, evoking labeling, equipment markings, and engineered signage. Its segmented construction also reads as contemporary and slightly futuristic, with a crisp, no-nonsense voice rather than a friendly or handwritten feel.
Likely designed to deliver a clean stencil look that remains coherent and relatively legible, balancing strict geometric construction with consistent bridges so characters hold together visually across alphabets and numerals.
The stencil gaps become a prominent texture in running text, creating a dotted cadence along curves and crossbars. Some glyphs lean toward schematic minimalism (e.g., simplified lowercase forms), which reinforces the utilitarian character and makes it best suited to short phrases where the patterning can be appreciated.