Sans Normal Nibih 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Morandi' by Monotype; 'Belle Sans' by Park Street Studio; 'Core Sans N', 'Core Sans N SC', and 'Core Sans NR' by S-Core; 'Radiate Sans' by Studio Sun; and 'Gymkhana' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modern, confident, friendly, clean, utilitarian, impact, clarity, modernity, neutral branding, display legibility, rounded, geometric, compact, high impact, stable.
This is a heavy, geometric sans with broad proportions and smooth, rounded curves. Strokes are monolinear with minimal contrast, and terminals are clean and square-cut, giving counters and apertures a crisp, engineered feel. Round letters like C, O, and Q are built from near-circular forms, while straight-sided letters (E, F, H, N) feel rigid and stable. Lowercase shapes are simple and sturdy; the single-storey a and g and the generous bowls in b/d/p/q reinforce a contemporary, geometric construction. Numerals are equally robust, with open shapes and even stroke weight designed for strong presence at display sizes.
It works especially well for headlines, short statements, and large-scale typography where weight and clarity are priorities. The strong, geometric letterforms also suit branding, packaging, and signage where a contemporary, high-impact sans is needed. For longer passages, it will be most effective when used sparingly as an emphasis or display style.
The overall tone is modern and confident with a friendly edge from its rounded geometry. Its heavy color and broad stance read as direct and no-nonsense, making it feel contemporary and approachable rather than formal or delicate. The rhythm is steady and assertive, suited to messaging that needs clarity and impact.
The design appears intended as a contemporary display sans that balances geometric roundness with sturdy, straight-sided structure. Its goal seems to be maximum legibility and visual punch at larger sizes while keeping a friendly, neutral voice that can fit many modern design contexts.
Spacing in the samples appears comfortable for a bold face, and the shapes stay consistent across uppercase, lowercase, and figures. Diagonals (V, W, X, Y) are sharply defined against the otherwise rounded system, adding snap without introducing ornament. The lowercase j has a clear descender and dot, and punctuation in the sample reads cleanly at large sizes.