Sans Faceted Asri 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Sagan' by Associated Typographics, 'EFCO Growers' by Ilham Herry, and 'Amboy' by Parkinson (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, game ui, industrial, futuristic, arcade, military, mechanical, impact, tech flavor, machined feel, retro digital, display focus, angular, faceted, chamfered, monoline, blocky.
A heavy, monoline display sans built from straight strokes and clipped corners, replacing curves with planar facets. Glyphs are compact and squared-off with frequent chamfers at outer corners and notched joins, creating a rigid, machined silhouette. Counters tend to be narrow and rectangular, and curves (where expected in forms like C, S, and O) resolve into stepped, polygonal constructions. Spacing reads slightly tight in text, with stout verticals and broad horizontals producing a dense, high-impact texture.
Best suited for short, high-impact settings such as headlines, posters, esports or game interfaces, product packaging, and logo/wordmark work where the faceted construction can read as a stylistic feature. It can also work for signage-style labels and titling when set with comfortable spacing to preserve clarity.
The overall tone feels engineered and utilitarian, with a retro-digital edge reminiscent of arcade UI, sci‑fi labeling, and industrial signage. Its sharp geometry and hard terminals convey toughness and urgency, leaning toward technical and tactical aesthetics rather than friendly neutrality.
The letterforms appear designed to deliver maximum visual weight with a crisp, angular voice, prioritizing a constructed, geometric look over smooth readability. The consistent faceting suggests an intention to evoke machined materials and digital-era typography in a compact, attention-grabbing display style.
The design shows consistent use of chamfers and angled cuts across both uppercase and lowercase, maintaining a coherent stencil-like rhythm without actual breaks. Numerals follow the same faceted logic and appear especially suited to bold, high-contrast labeling. At smaller sizes the tight apertures and dense mass may benefit from generous tracking and line spacing.