Sans Superellipse Somoj 2 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Cherrybon' by Drizy Font (names referenced only for comparison).
Keywords: posters, headlines, signage, logotypes, packaging, art deco, retro, industrial, poster, display impact, retro voice, compact fit, geometric styling, condensed, blocky, rounded, monoline, soft corners.
A tightly condensed display sans built from rounded-rectangle (superellipse) geometry, with heavy, nearly monoline strokes and consistently softened corners. Counters are narrow and often vertically oriented, giving forms like O, D, and B a tall, capsule-like interior. Terminals are predominantly blunt and squared-off, while bowls and joints rely on smooth, continuous curves rather than sharp angles. The overall rhythm is compact and vertical, with simplified construction and minimal detailing that keeps shapes bold and graphic at larger sizes.
Best suited to headlines, posters, signage, and brand marks where the dense vertical silhouette can read as a strong graphic element. It also works well for packaging and labels that want a retro-industrial flavor, especially in short phrases and large setting where the tight counters remain clear.
The face conveys a strong retro-modern tone, mixing streamlined softness with dense, industrial heft. Its compressed proportions and sculpted, rounded forms evoke vintage signage and Art Deco-era display lettering, while the heavy black presence feels confident and punchy.
The design appears intended as a compact, high-impact display sans that translates superelliptical, rounded-rectangle shapes into an expressive alphabet. Its goal is to deliver a vintage-leaning, sign-painter/poster vibe with consistent modular geometry and bold presence rather than neutral text readability.
Distinctive letterforms include a highly stylized, symmetrical feel in several capitals (notably the rounded, modular construction in M/W-like shapes), and compact apertures that can close up as size decreases. Figures follow the same tall, rounded-rectangle logic, producing a cohesive, poster-oriented texture across mixed text.