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Free for Commercial Use

Sans Normal Iswi 11 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Peridot Latin' and 'Peridot PE' by Foundry5, 'Favela' by Machalski, and 'Aksen' by Tokotype (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, event graphics, sporty, assertive, playful, retro, energetic, impact, motion, attention, brand voice, retro energy, oblique, bulky, rounded, compact counters, soft corners.


Free for commercial use
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A heavy, oblique sans with broad, rounded letterforms and a compact interior rhythm. Strokes are thick and smooth with softened corners, producing sturdy silhouettes and tight counters, especially in letters like B, R, and 8. Curves are built from wide ovals and flattened bowls, while diagonals (V, W, X, Y) feel chunky and stable rather than sharp. Terminals are clean and mostly blunt, and the overall spacing reads dense and cohesive in both uppercase and lowercase.

Best suited for large-scale display use where impact and motion are desired: headlines, posters, sports or action-oriented branding, and bold packaging callouts. It can also work for short subheads or labels when strong emphasis is needed, but the dense color and tight counters make it less comfortable for long-form text.

The font projects a loud, kinetic tone that feels confident and a bit mischievous. Its slanted, overbuilt shapes suggest motion and impact, leaning into a sporty, headline-forward attitude. The rounded geometry keeps it friendly despite the aggressive weight, giving it a retro display flavor that reads as fun rather than severe.

The design appears intended to deliver maximum visual punch with a sense of speed and swagger. Its wide, rounded construction and oblique stance aim to feel dynamic and modern-retro, prioritizing bold recognition and expressive presence in display contexts.

Uppercase forms appear particularly dominant and blocky, while the lowercase keeps the same heavy, rounded construction with simple, single-storey shapes where applicable. Numerals are bold and attention-grabbing, with the 0 and 8 showing very full, oval construction and small internal openings. The overall texture in paragraphs becomes dark quickly, favoring short bursts of text over extended reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸