Sans Superellipse Hagah 7 is a bold, wide, low contrast, upright, tall x-height font visually similar to 'Mercurial' by Grype, 'Klint' by Linotype, 'RBNo3.1' by René Bieder, 'Nauman' and 'Nauman Neue' by The Northern Block, 'Obvia Wide' by Typefolio, and 'Crepes' by cretype (names referenced only for comparison).
Keywords: headlines, branding, posters, ui, packaging, modern, friendly, sturdy, confident, techy, impact, clarity, approachability, modernity, rounded, compact, blocky, open apertures, even rhythm.
A heavy, rounded sans with superelliptical curves and squarish counters that give letters a blocky, compact footprint. Strokes are largely uniform with minimal modulation, and terminals read as clean, gently softened ends rather than sharp cuts. The shapes favor broad shoulders and stable verticals; bowls and rounds (like O, C, G) feel like rounded rectangles, while joins are smooth and visually dense. Lowercase forms are large and sturdy, with simple, legible construction and a consistent, even texture across words. Numerals are similarly robust, with clear silhouettes suited to display sizing.
Well-suited for headlines and short blocks of text where strong presence and clarity are needed, such as branding, packaging, posters, and signage. Its rounded geometry and even color also make it a good fit for UI titles, navigation labels, and product or feature callouts where a modern, friendly tone is desired.
The overall tone is contemporary and approachable, combining a friendly softness with a confident, industrial solidity. It suggests a practical, tech-forward voice—more utilitarian than playful—while still feeling warm thanks to the rounded geometry.
The design appears intended to deliver a contemporary, high-impact sans that stays readable while leaning into rounded-rectangle geometry. It prioritizes strong silhouettes, consistent rhythm, and a friendly-yet-solid voice for display-led communication.
Spacing appears generous enough to keep dense forms from clogging, and the punctuation and figures maintain the same blunt, rounded-rect language as the letters. The ampersand is compact and sturdy, matching the font’s overall weight and rhythm.