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Free for Commercial Use

Serif Other Empo 9 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Franklin-Antiqua' by Berthold, 'Brim Narrow' by Jamie Clarke Type, 'Stencil' by URW Type Foundry, and 'Marbella Army' by Woodcutter (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, signage, stencil, industrial, poster, military, retro, display impact, stencil effect, vintage flavor, strong branding, textured rhythm, ink-trap, tuscan, notched, display, bracketed.


Free for commercial use
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A heavy, high-impact serif with pronounced bracketed serifs and sculpted, notched joins that read like a stencil cut or ink-trap treatment. Strokes show strong thick–thin contrast, with chunky verticals and sharply tapered diagonals, producing a crisp, chiseled silhouette. Many forms incorporate interior cuts and wedge-like terminals that create rhythmic breaks in the counters and along stems, giving the alphabet a crafted, mechanical consistency. Numerals are bold and stylized as well, with split or cut interiors that echo the letterforms’ carved construction.

Best suited for headlines, posters, labels, and bold branding moments where the notched/stencil detailing can be appreciated. It also fits signage-style applications or themed packaging that benefits from a strong vintage-industrial voice, while extended text will be more effective when set large with comfortable spacing.

The overall tone is assertive and engineered, mixing vintage sign-painting energy with a utilitarian stencil feel. It suggests authority and toughness, while the decorative cuts add a theatrical, old-time display personality rather than a purely functional industrial look.

The design appears intended to deliver maximum display impact through a traditional serif framework augmented by stencil-like cutouts and sculpted terminals. Its consistent system of notches and interior breaks suggests a deliberate decorative construction aimed at creating a memorable, authoritative texture in big type.

The distinctive internal cutouts and notches become a defining texture in text lines, creating a patterned sparkle that is most noticeable in round letters and in the numerals. Because of the strong detailing and contrast, the design reads most confidently at larger sizes where the carved features remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸