Sans Superellipse Fidaw 7 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Gomme Sans' by Dharma Type, 'Alfabet' by Machalski, 'Gentona' by René Bieder, 'Celdum' by The Northern Block, and 'JP Alva Expanded' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, signage, sporty, industrial, assertive, modern, dynamic, impact, speed, modernity, strength, utility, rounded, oblique, squared, compact, sturdy.
A heavy, oblique sans with broad proportions and rounded-rectangle construction. Curves resolve into soft corners rather than true circles, giving bowls and counters a superelliptical feel; terminals are generally blunt with subtly sheared angles that reinforce the slant. Strokes are monolinear and sturdy, with tight apertures on forms like C, S, and e, and compact joins that keep the texture dense. The uppercase reads wide and stable, while the lowercase maintains a straightforward, utilitarian structure with rounded shoulders and minimal modulation.
Best suited to large-scale applications where its dense weight and oblique momentum can lead the layout—headlines, posters, packaging, and punchy brand wordmarks. It can also work for short UI labels or signage when a compact, high-impact voice is needed, while long-form text may feel heavy due to the tight apertures and bold texture.
The overall tone is energetic and forceful, leaning toward a technical, engineered sensibility rather than friendly warmth. The oblique stance and squared rounding convey motion and performance, while the dense rhythm and tight counters add a tough, no-nonsense character.
The design appears intended to deliver a high-impact, forward-moving sans with rounded-square geometry for a contemporary, performance-oriented voice. Its consistent slant, blunt terminals, and superelliptical bowls prioritize strong silhouettes and quick recognition at display sizes.
Round glyphs such as O and 0 are noticeably squarer at the corners, and the numerals share the same blocky, rounded logic. The italic angle is consistent across letters and figures, producing a cohesive forward-leaning word shape in continuous text.