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Free for Commercial Use

Serif Other Urza 2 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'ATF Poster Gothic' by ATF Collection and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, logotypes, packaging, signage, western, poster, industrial, masculine, retro, impact, space economy, vintage flavor, rugged branding, display emphasis, wedge serifs, flared terminals, beaked terminals, ink-traps, condensed caps.


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This typeface has a compact, vertical build with heavy strokes and crisp, chiseled wedge serifs that often flare into pointed, beak-like terminals. Counters are small and squared-off, giving many letters a blocked, engineered silhouette, while the curves are tightened and slightly squarish rather than fully round. Joins and notches are sharply cut, with occasional ink-trap-like corners and clipped interior angles that add a carved, display-driven texture. Rhythm is assertive and tightly packed, with tall uppercase forms, sturdy numerals, and a lowercase that stays stout and structured with minimal calligraphic modulation.

Best suited for headlines, posters, and branding where a compact, high-impact serif can carry a strong identity. It also works well for packaging, labels, and signage that benefit from a rugged, vintage-leaning voice and condensed economy of space.

The overall tone feels rugged and declarative, evoking vintage headline typography with a frontier or workwear edge. Its sharp wedges and compressed presence read as confident and tough, leaning toward a classic poster aesthetic rather than a quiet editorial voice.

The design appears intended as a characterful display serif that combines traditional wedge-serif structure with a more squared, industrial set of counters and cuts. The goal is likely to deliver a bold, space-efficient headline tool with a distinctive western/poster flavor and strong presence.

Distinctive wedge serifs and squared counters create strong word-shapes at large sizes, but the dense interiors and tight apertures can darken quickly in long passages or small settings. The numerals and capitals feel especially optimized for impact, with a consistent, hard-edged finish across the set.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸