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Free for Commercial Use

Sans Superellipse Feraz 6 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'CF Blast Gothic' by Fonts.GR, 'Cairoli Classic' and 'Cairoli Now' by Italiantype, and 'Early Edition JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, social graphics, sporty, urgent, confident, modern, loud, impact, motion, compactness, modern branding, emphasis, slanted, compact, rounded, chunky, high-impact.


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This typeface is a heavy, forward-slanted sans with compact proportions and rounded-rectangle construction. Curves read as squarish superellipse forms, giving counters and bowls a taut, engineered feel rather than a geometric circle. Strokes stay broadly uniform with blunt terminals and tightly controlled apertures, producing dense word shapes and strong horizontal rhythm. The numerals and caps feel solid and blocky, while the lowercase keeps a clean, contemporary structure with rounded joins and minimal detailing.

Best suited to short, high-impact text such as headlines, posters, campaign lockups, sports and fitness branding, and bold packaging statements. It can also work for punchy UI labels or promotional graphics where quick recognition matters more than long-form comfort.

The overall tone is energetic and assertive, with a fast, push-forward stance typical of performance and action-oriented typography. Its compact mass and smooth, rounded geometry project confidence and immediacy, leaning more contemporary and athletic than formal or literary.

The design appears intended to deliver maximum impact in a compact footprint while maintaining a smooth, rounded, contemporary voice. The superelliptical shaping and strong slant suggest a focus on speed, power, and modern branding rather than neutrality or extended reading.

At larger sizes the rounded-square counters and tight spacing create a distinctive, punchy texture, while the pronounced slant reinforces motion. The bold forms can dominate a layout, so it reads best when given breathing room and paired with simpler secondary type.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸