Sans Other Oldu 1 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'QB One' by BoxTube Labs, 'Midsole' by Grype, 'Olney' by Philatype, and 'Celdum' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, tech branding, techy, futuristic, industrial, arcade, utilitarian, digital feel, modular system, impactful display, signage clarity, square, angular, geometric, stencil-like, monolinear.
A square, geometric sans with heavy, monolinear strokes and sharply cut corners. Bowls and counters lean toward rectangular forms (notably in O/0 and D), with frequent 45° chamfers and clipped terminals that create a subtly modular, near-stencil construction. Spacing is open and the overall rhythm is steady, while proportions remain broad and stable across caps and lowercase. Distinctive details include a boxy, two-counter B, a squared G with a clear interior notch, and digits built from the same straight-edged geometry for a cohesive, system-like texture.
Best suited to short-to-medium display text where its square construction and strong geometry can be appreciated—headlines, posters, product marks, and tech-forward branding. It can also work for interface labels or game UI where a structured, digital tone is desirable, while very long passages may feel visually insistent due to the dense, angular forms.
The tone reads as techno-industrial and game-interface adjacent: crisp, mechanical, and purpose-built. Its squared geometry and cut terminals evoke digital hardware, sci-fi signage, and retro arcade aesthetics rather than traditional editorial warmth.
The font appears designed to deliver a distinctive, modernist techno voice through strict rectilinear geometry, chamfered corners, and a modular construction that stays consistent across letters and figures.
The design maintains strong consistency between uppercase, lowercase, and numerals, relying on rectangular counters and chamfered joins to keep diagonals (A, K, M, N, V, W, X, Y) feeling integrated with the orthogonal structure. The exclamation and punctuation shown adopt the same blocky, squared logic, helping the font keep a uniform voice in display settings.