Stencil Baru 6 is a regular weight, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, packaging, wayfinding, product branding, industrial, technical, futuristic, utilitarian, sci‑fi, stencil utility, industrial labeling, futuristic branding, modular system, rounded, modular, segmented, geometric, high-contrast gaps.
A geometric, monoline stencil built from rounded terminals and consistent stroke thickness. Letterforms are constructed from segmented strokes with deliberate breaks that create clear bridges, producing an airy, cut-out rhythm across counters and joints. Curves (C, G, O, S, 0) read as circular arcs with repeated interruptions, while straight-sided forms (E, F, H, I, L, T) rely on simple bars and verticals with softened ends. Proportions are compact and clean, with open apertures and uncluttered interior space that keeps the broken construction legible at display sizes.
Best suited for display applications where the stencil breaks become a feature: posters, titles, packaging, signage/wayfinding, and tech or industrial branding. It can work for short blocks of copy in larger sizes, where the segmented rhythm stays crisp and recognizable.
The overall tone feels industrial and engineered—like markings on equipment, crates, or fabricated panels—while the rounded corners add a contemporary, slightly friendly sci‑fi edge. The repeated gaps suggest fabrication processes (spray, cut, stencil), lending a coded, tactical flavor without becoming aggressive.
The design appears intended to deliver a modern stencil aesthetic that feels manufactured and system-driven, combining strict geometric construction with rounded terminals for smoother, contemporary readability. It emphasizes a repeatable modular rhythm and clear stencil bridges to evoke labeling, templates, and cut-out typography.
The stencil logic is applied consistently across uppercase, lowercase, and numerals, giving long text a distinctive dotted/segmented texture. Because breaks appear frequently in curved letters and some joins, the face reads most confidently when given enough size and spacing for the bridges to remain visually distinct.