Sans Faceted Afpo 6 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Pariphoom' by Jipatype; 'Prahota' by Objectype; 'Brumder' by Trustha; and 'Bikemberg', 'Raskolnikov', and 'Ravane' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, sports branding, logos, signage, industrial, athletic, authoritative, retro, mechanical, high impact, space saving, signage feel, geometric rigor, branding, octagonal, angular, blocky, compressed, all-caps friendly.
A heavy, compressed display face built from straight strokes and clipped corners, replacing curves with crisp, planar facets. The letterforms are tall and compact with tight interior counters, producing a dense color on the page. Terminals and joins resolve into consistent beveled cuts (notches and chamfers) that give rounds like O, C, and G an octagonal silhouette. The lowercase largely follows simplified, sturdy constructions with minimal calligraphic modulation, keeping the overall rhythm rigid and uniform.
Best suited to short, high-impact settings such as poster headlines, sports and team branding, event graphics, and bold wordmarks. It also works well for signage-style treatments and numbers-heavy applications where a sturdy, compact presence is helpful.
The faceted geometry and dense weight convey a tough, no-nonsense tone that reads as industrial and athletic. Its sharp corners and compact stance add a retro, badge-like energy, suggesting utilitarian signage and bold headlines rather than quiet text work.
The design appears intended to deliver maximum impact in limited horizontal space by combining a compact width with thick strokes and a consistent chamfered language. Its faceted construction prioritizes a machined, emblematic look that stays legible at large sizes and maintains a strong, unified texture across caps, lowercase, and figures.
The numerals and caps share the same chamfered system, helping mixed alphanumeric strings feel cohesive. Several forms emphasize verticality and solidity (notably M, N, W, and the straight-sided bowls), while punctuation remains similarly blocky, reinforcing the engineered aesthetic.