Sans Normal Lygiv 2 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Netadyne' by Godbless Studio, 'Intermediate JNL' by Jeff Levine, 'Point Panther' by Sarid Ezra, 'Crunold' by Trustha, 'Inovasi' by XdCreative, and 'Eastman Grotesque' and 'Klein' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, app promos, packaging, sporty, punchy, dynamic, confident, friendly, impact, motion, attention, branding, modernity, oblique, rounded, compact counters, soft corners, heavy ink traps.
A heavy, oblique sans with broad proportions and smoothly rounded curves. Strokes are thick and uniform with low apparent contrast, and many joins resolve into soft, slightly squared corners rather than sharp points. Counters are relatively tight in letters like a, e, and o, giving the face a dense, high-impact texture. The lowercase shows single-storey constructions (notably a and g) with short, sturdy terminals; the caps are wide and stable with simplified geometry and minimal detailing. Numerals follow the same robust, rounded logic, with ample weight and compact interior space.
This font is well suited to display typography such as headlines, posters, and promotional graphics where impact and motion are desirable. It can work effectively for sports and fitness branding, event titles, product packaging, and punchy in-app banners or hero sections where short phrases need to read quickly and feel dynamic.
The overall tone is energetic and forward-leaning, projecting speed and momentum. Its oversized mass and softened geometry keep it approachable while still feeling assertive and attention-grabbing. The style reads as contemporary and action-oriented, suited to messages that need to feel bold, active, and confident.
The design appears intended to deliver maximum visual punch with a streamlined, rounded sans construction, using a consistent oblique angle to convey movement. Its simplified shapes and dense color aim for immediate legibility and brandable presence in high-contrast, large-size applications.
Spacing appears set to preserve strong word shapes at display sizes, with the slant creating a continuous rightward flow across lines of text. The thick strokes and compact counters suggest it will be most effective where scale and contrast against the background are generous, rather than in small, information-dense settings.