Sans Superellipse Hakek 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'FF Sizmo' by FontFont, 'Rebar' by Method & Craft, 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive, and 'Egosta' by skillyas studio (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, tech, industrial, sporty, utilitarian, friendly, impact, modernity, systematic, approachability, clarity, rounded, square-ish, compact, blocky, sturdy.
A heavy, geometric sans with a distinctly rounded-rectangle construction. Strokes are consistently thick with minimal contrast, and terminals are softly squared rather than fully circular, producing a superellipse-like silhouette. Counters are compact and often rectangular, with generous corner rounding that keeps the forms smooth and cohesive. Overall proportions lean wide and stable, with simplified joins and crisp interior shapes that maintain clarity in large, bold settings.
Best suited to display sizes where its chunky geometry and rounded corners can be appreciated: headlines, brand marks, packaging, and attention-grabbing posters. It also fits wayfinding and signage contexts where a sturdy, high-contrast presence is helpful. In longer text, its dense, blocky texture will read more like a strong stylistic statement than a neutral workhorse.
The tone feels modern and functional, with a tech-forward, engineered personality. Rounded corners soften the otherwise blocky geometry, balancing toughness with approachability. The result reads as confident and contemporary, suited to bold, high-impact communication.
The design appears intended to deliver a bold, contemporary voice built from rounded-rectangular primitives, prioritizing consistency and impact. Its softened corners suggest an aim to keep a technical, industrial structure feeling friendly and accessible. The cohesive treatment across uppercase, lowercase, and numerals points to a desire for a unified system look across branding and display typography.
Uppercase forms are especially architectural, with rounded corners and squared bowls; the lowercase follows the same logic for a highly unified texture. Numerals share the same rounded-rectangle DNA, giving UI-like consistency across letters and figures. The overall rhythm is even and dense, creating strong word-shape blocks in text and very solid presence in headlines.