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Free for Commercial Use

Sans Normal Tybeg 6 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Aurelux' by Andfonts, 'Britannic EF' by Elsner+Flake, 'Britannic' by Linotype, 'MC Molodi' by Maulana Creative, 'PL Britannia' by Monotype, 'Grenoble Serial' by SoftMaker, 'TS Grenoble' by TypeShop Collection, and 'Britannic' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, editorial, confident, punchy, retro, friendly, assertive, impact, readability, display voice, retro warmth, rounded, bracketed, ink-trap feel, compact, weighty.


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A heavy, high-impact roman with prominent stroke contrast and softly rounded joins. Curves are generous and full, while terminals tend to be flattened or gently tapered, creating a crisp but not sharp silhouette. Counters are moderately open for the weight, and many forms show subtle notch-like shaping at joins that helps separation in dense areas. Uppercase proportions are broad and stable, while the lowercase maintains a sturdy, compact rhythm with a clear two-storey g and a robust, rectangular i dot.

Best suited to display settings where mass and contrast can do the work—headlines, posters, cover lines, and bold branding. It can also perform in short editorial bursts (pull quotes, section openers, captions) where a strong typographic voice is desired, especially with slightly generous tracking.

The overall tone is bold and self-assured, with a slightly nostalgic, editorial flavor. Its rounded shaping and softened details keep it approachable, while the strong contrast and dark color give it authority and presence.

Likely designed to deliver a commanding, readable display voice that combines strong contrast with softened, rounded geometry. The notch-like join shaping suggests an intention to preserve clarity and internal separation even at very heavy weights, supporting bold messaging without becoming a flat blob.

The figures are simple and forceful, with clear distinction in the 0–9 set and a particularly heavy, sculpted look in round digits like 8 and 9. In text, spacing appears fairly tight for display use, producing an energetic, poster-like texture that benefits from a bit of breathing room at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸