Sans Normal Arreg 7 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Bauziet' by Halbfett, 'Beatrice Deck' and 'Beatrice Standard' by Monotype, and 'Neue Rational Standard' by René Bieder (names referenced only for comparison).
Keywords: ui text, product design, signage, editorial, presentations, modern, clean, neutral, friendly, technical, legibility, versatility, modern utility, approachability, rounded, open, airy, geometric, crisp.
A clean, rounded sans with broadly circular bowls, open apertures, and smooth, even stroke modulation. The overall fit is comfortable and slightly expansive, with generous counters and steady spacing that keeps lines from feeling dense. Terminals are mostly straight-cut and crisp, while curves stay consistent and well-balanced, giving the alphabet a calm rhythm. Numerals follow the same rounded construction, pairing simple geometry with clear, readable forms.
This font suits UI and product typography where clarity at a range of sizes matters, as well as signage and wayfinding that benefit from open forms. Its even rhythm and unobtrusive personality also work well for editorial layouts, reports, and presentation systems that need a modern, consistent voice.
The tone is modern and neutral, leaning friendly due to its rounded shapes and open counters. It feels straightforward and unobtrusive, with a contemporary clarity that suits informational and interface-driven settings while still reading approachable in longer text.
The design appears intended to provide a versatile, contemporary sans that emphasizes clarity and consistency through rounded geometry and open internal spaces. It aims to be a dependable everyday workhorse with a friendly edge rather than a highly stylized display face.
The sample text shows stable word shapes and consistent color across lines, with punctuation and dots remaining small and neatly integrated. Round letters (like O/C/e) carry much of the character, while diagonals (like V/W/X) stay clean and controlled, reinforcing the font’s orderly, geometric impression.