Sans Superellipse Figuz 5 is a bold, wide, low contrast, italic, normal x-height font visually similar to 'Eurostile Next' by Linotype, 'Absalon' by Michael Nordstrom Kjaer, 'Eurocine' by Monotype, 'Pragmatica' by ParaType, 'Cobe' by Stawix, and 'Nuber Next' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sports graphics, product packaging, sporty, modern, assertive, dynamic, techy, impact, speed, modern branding, clarity, approachability, oblique, rounded corners, squared rounds, large apertures, soft terminals.
This is an oblique sans with heavy, even stroke weight and broadly rounded, squarish curves that read like superellipse-based forms. Counters are generous and open, and many terminals finish with softened corners rather than sharp cuts, keeping the texture smooth despite the strong weight. The proportions are expanded, with wide set caps and a horizontally confident lowercase; curves (C, G, O, Q) lean toward rounded-rectangle geometry while diagonals and joins stay clean and minimal. Numerals and punctuation carry the same rounded-corner logic, producing a consistent, sturdy rhythm at display sizes.
Best suited to headlines, logos, and short-form messaging where a strong, energetic voice is needed. It works particularly well for sports and performance branding, tech-forward campaigns, packaging callouts, and large-format applications where its wide, rounded construction can read clearly and feel intentional.
The overall tone is fast and purposeful—athletic and contemporary rather than neutral. Its slanted stance and wide footprint give it a forward-moving, engineered feel that fits performance, tech, and action-oriented messaging.
The design appears intended to deliver a bold, motion-driven sans for display use, combining wide proportions with rounded-rectangle geometry to feel both engineered and friendly. The consistent low-contrast strokes and softened corners suggest an emphasis on clarity, impact, and a contemporary, aerodynamic look.
The italic angle is pronounced enough to shape the line texture, especially in the sample text, where the wide forms create strong word silhouettes. The design balances firmness with approachability: heavy presence and compact detailing, softened by rounded corners and open interior spaces.