Sans Superellipse Myfa 2 is a very bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Shtozer' by Pepper Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, retro, punchy, mechanical, confident, impact, branding, retro styling, industrial tone, rounded corners, condensed feel, blocky, stencil-like, monoline.
A heavy, monoline sans with rounded-rectangle construction and tightly controlled geometry. Corners are broadly radiused and terminals are flat and squared-off, producing a compact, blocky silhouette. Counters are narrow and often slot-like (notably in letters such as A, B, D, O, P), and the curves read as superelliptical rather than circular. Spacing is fairly tight and the rhythm is dense, with sturdy verticals and short, blunt crossbars that keep forms compact. Numerals echo the same rounded-rectangular logic with small apertures and strong vertical emphasis.
Best suited for display settings where impact matters: headlines, posters, product packaging, and bold branding. Its dense rhythm and tight apertures can also work well for short-label applications like signage, badges, and UI callouts when set at sufficiently large sizes.
The overall tone is bold and utilitarian, evoking industrial labeling and retro display typography. Its rounded corners soften the mass, but the narrow openings and compact proportions keep it assertive and mechanical. The result feels energetic and attention-grabbing without becoming playful.
The design appears intended to deliver maximum visual weight with a clean, geometric voice, using rounded-rectangle forms to create a distinctive, engineered personality. It prioritizes strong silhouettes and consistent modular construction for high-impact display use.
Several glyphs lean on simplified, modular construction (e.g., the lowercase m resembles three vertical pillars), reinforcing a fabricated, machine-cut impression. The lowercase shows a single-storey a and g, and the punctuation in the sample text appears sturdy and visually consistent with the heavy stroke and rounded-corner system.