Sans Superellipse Ibbok 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Chubbét' by Emboss, 'Normative Lt' and 'Normative Pro' by Green Type, 'Aago' by Positype, 'NeoGram' by The Northern Block, and 'URW Dock Condensed' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, sporty, contemporary, friendly, punchy, impact, clarity, modernity, approachability, rounded, compact, blocky, soft corners, high impact.
A heavy, geometric sans with rounded-rectangle construction and consistently softened corners. Curves and counters tend toward squarish bowls, producing a compact, sturdy texture with minimal modulation and clean, straight terminals. Uppercase forms are broad and stable, while lowercase keeps simple, modern shapes with open apertures and straightforward joins; overall spacing reads even and dense, supporting a strong typographic color at display sizes.
Best suited for headlines, posters, and prominent UI or signage where strong legibility and impact are needed. It can work well in branding and packaging that benefits from a modern, sturdy, slightly playful geometry. For long body text, its dense, heavy texture is more appropriate for short bursts, labels, and callouts.
The font conveys a confident, contemporary tone with an approachable friendliness from its rounded geometry. Its mass and compact rhythm feel sporty and energetic, leaning toward bold, straightforward messaging rather than delicate or formal expression.
The design appears intended to deliver maximum impact with a clean, geometric voice, using rounded-rectangle forms to balance strength with friendliness. It prioritizes bold readability and a consistent, contemporary shape system across letters and figures.
Round forms like O/0 and bowls in B/D/P show a superelliptical feel, with counters that stay relatively large for the weight. Diacritics are not shown; dots on i/j appear as squared blocks, reinforcing the rectilinear motif. Numerals match the uppercase in weight and presence, with simple, highly legible silhouettes suited to large-scale use.